Text as Folk Art: a book for non-readers

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Text as Folk Art: a book for non-readers

We could create change and resist the destruction that they wrought on the world. I felt joy and hope in all the possibilities we could continue to create, rebelling against their hallowed message that we should give up and give in. I had to climb the hillside to see what was on the other side. Once I did, I saw the giants everywhere. I continued onward with curiosity and courage. I saw others doing the same and many of us walked together in mutual support. p 42 From Rousseau’s infamous noble savage to a fascination with tourism, western capitalist...
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Böll, Orwell, Bolaño: In Defense Of Art

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Böll, Orwell, Bolaño: In Defense Of Art

Böll, Orwell, Bolaño: In Defense Of Art This is a century in which democracy regularly presided over the birth of fascist regimes and civilization constantly rhymed – to the tune of Wagner or Iron Maiden – with extermination. -The Invisible Committee Only in chaos are we conceivable. -Roberto Bolaño   Introduction: Art and Auschwitz In the book Music of...
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Booze, Corruption and Rage

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Booze, Corruption and Rage

So I saw “The Rum Diary”, a film that is based on an early novel by Hunter S. Thompson. This is a great movie to showcase the inescapable but often overlooked fact that the world that we live in is fundamentally fucked up. The movie follows the character “Paul Kemp”, played by Johnny Depp, as he becomes acquainted with...
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Ways In and Ways Out of the Situationist Labyrinth

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Ways In and Ways Out of the Situationist Labyrinth

“Voice 1: Howls for Sade, a film by Guy-Ernest Debord. Voice 2: Howls for Sade is dedicated to Gil J Wolman.” - opening of Debord’s Howls for Sade   1 (On a street corner, then running down the street) Old Alciphron: Sorry I’m late. I’m always late to these things! Young Alciphron:  Don’t worry, older one. I’m the only one here....
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Robots of Repression

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Robots of Repression

With all the intelligent things she might have said, it is unfortunate that Audre Lorde is most widely passed around in the form of that execrable quote about the impossibility of using the master’s tools to destroy the master’s house. This allegation is false both in the imagined realm of the metaphor and on the historical terrain of social...
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