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Hey Italo, congratulations on your rediscovering the élan of molluscs!

A review of Calvino’s Complete Cosmicomics

’In the development of productive forces there comes a stage when productive forces and means of intercourse are brought into being, which, under the existing relationships, only cause mischief, and are no longer forces of production but forces of destruction (machinery and money); and connected with this a class is called forth, which has to bear all the burdens of society without enjoying its advantages, which, ousted from society, is forced into the most decided antagonism to all other classes; a class which forms the majority of all members of society, and from which emanates the consciousness of the necessity of a fundamental revolution, the communist consciousness, which may, of course, arise among the other classes too through the contemplation of the situation of this class. (…) Both for the production on a mass scale of this communist consciousness, and for the success of the cause itself, the changing of men on a mass scale is, necessary, a change which can only take place in a practical movement, a revolution; this revolution is necessary, therefore, not only because the ruling class cannot be overthrown in any other way, but also because the class overthrowing it, can only in a revolution succeed in ridding itself of all the muck of ages, and become fitted to found society anew.’
The German Ideology

Science fiction and pro-revolutionary literature share the same highest of high priorities, namely the separating out of moments of freedom from the reproduction of existing constrained relationships. Both discourses are most concerned with the image of an overflowing of activity which cannot be mapped back onto the co-ordinates of already established behaviour but which, on the contrary, defines itself on its own terms and may thus be presented as exceptional.

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Anonymous: That Most Prolific of Anarchist Writers

Without a doubt, Anonymous has written more than any other anarchist over the last 150 years. Sometimes she uses a pseudonym and sometimes she simply leaves the byline blank; we know it’s her. But because of the perplexing diversity of pieces she has authored, it becomes impossible to offer a coherent critique of this important writer’s canon. Instead, perhaps a look at her canonality will be of use.

While I don’t wish to discount her significance, after all I share much in common with her, I feel compelled to publicize her stylistic dishonesties. What are her signature styles?
Security: Anonymous is said to be untraceable, a bit like JD Salinger.
Modesty: Anonymous rejects any personality cult and focuses all attention on the ideas and not the messenger.
Sameness: Anonymous is the Everyman, the black mask. She could be any one of us.
Theft: Anonymous opposes intellectual property. She plagiarizes and shares freely.

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Working Our Chasms

The 1984 book Pleasure and Danger (edited by Carol Vance) starts with the premise that women have continued their vitriolic divide around sexwork, pornography, and other things sex-related because there is a basic disagreement about how we see sex itself—either as primarily pleasurable or as primarily dangerous.

The two articles here reviewed, “The Limitations of Anti-Sexism” (Sissy Doutsiou, We are an Image from the Future), and “Thinking through Perpetrator Accountability” (unnamed, Rolling Thunder #8), encourage an extension of this premise beyond the topic of sex, to people’s perspectives on life in general.

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PM: Bolo Bolo

A novel concerning the fitting together of macro scale to interpersonal scale relationships in different essential fields of activity and without any defined protagonist.

The plot is set ‘in the future’ between 1984 and 1987 and describes the process by which capitalist production is overcome by the Bolo Bolo network.

Whilst the jargon occasionally grates (I adopted the tactic of not even attempting to learn it) and the fine detailing of survival becomes rococo and tedious by the last pages; and whilst the introduction sets up the critique of capitalism in rather facile terms… i.e. positively valued ‘intentional’ activity set against negatively valued inherited processes; and whilst it greatly overvalues, and on their own terms, the post-60’s countercultural milieu (rather than evaluating it as an aspect of capitalist restructuring), despite all of this, I still found the book well-researched, of its time, provocative, pleasingly written, honest and real.

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Networks, Colonization, and the Construction of Knowledge

a review of Marianne Maeckelbergh’s The Will of the Many and Linda Tuhiwai Smith’s Decolonizing Methodologies

Both Marianne Maeckelbergh and Linda Tuhiwai Smith are social scientists, but both identify first and foremost as members of communities in struggle: the alterglobalization movement, in the first case, and the Maori, in the second.

Maeckelbergh is an incisive thinker and concise writer, and in her debut book she handily tackles the premise that the prefigurative networks used for information-sharing and decision-making in the alterglobalisation movement constitute an effective challenge to the exclusion and authoritarianism of representative democracy. I approached her book with trepidation, wondering how an ethnography of our struggle could possibly help us more than it helps the state agencies tasked with dissecting and controlling us. Somehow, she pulls it off. The result is not a blueprint of “the movement of movements” but a theoretical deepening of our understanding of networks that can only deepen our appreciation for the ability of what we are doing right now to confront and replace the current regime.

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Quijote Against the World

“it’s not like it used to be… nobody cares about change… it don’t matter…” – My First Soul, by Auld Lang Syne

Published during the Spanish Golden Age in two parts (1605/1615) The Ingenious Hidalgo Don Quixote of La Mancha[1] by Cervantes has become one of the most famous books in the world and is considered by many to be one of the most respected fiction pieces of all time. The story relates an epic adventure taken on by two main characters, Don Quijote and Sancho Panza. Quijote goes off adventuring, lead completely by his horse Rocinante, who goes where ever it wants, leading Quijote and eventually Panza to fight injustice, reclaim the world, battle everything that is “bad”, and (for Quijote) win the love of his life [Dulcelina]. The entire book, originally written in Spanish is quite lengthy and full of misadventures depicting the frequent failures (perhaps great success?) during the early 1600’s, Spain. There are many English language translations, but perhaps one of the best (that I recommend) is by Edith Grossman, published in 2003. There are also, some abbreviated versions of the story, with the editors choice of parts – so this may be more advantageous for the time strapped or for those wanting to get a feel for the book. Setting up for a complete and in-depth review, would be quite the research project due to the books length and complexity – this is a greatly abbreviated review of the book, and by no means are all things touched on. There have been many reviews before this one, and maybe many more after. The overall purpose of this review is to briefly compare and contrast the ideas and attitudes of Don Quijote and Sancho Panza surrounding their thoughts upon essential materials vs. that of spirit.

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Another Act of Terror

I hold the world but as the world, Gratiano,-
A stage, where every man must play a part;
And mine a sad one.

William Shakespeare – Merchant of Venice Act 1 scene 1

On Thursday morning 53 year old Joesph Stacks got into his plane and began to fly. His steps into a single engine Piper-Cherokee aircraft were strides off a rigged playing field of capitalist social relations. Fueled by ressentiment, the Austin, Texas resident flew his craft low over the skyline before piloting his kamikaze vehicle into the Internal Revenue Service building. Plowing into the hulking seven story building just before 10 am, Stacks’ act of terrorism brought instant reminders of the September 11th attacks on the World Trade Center. Flames shot from the building, windows exploded, a huge pillar of black smoke rose over the city and terrified workers scrambled to safety. The Pentagon scrambled two F-16 fighter jets from Houston to patrol the skies over the burning building before it became clear that it was the act of a lone pilot.

“It felt like a bomb blew off,” said Peggy Walker, an IRS revenue officer who was sitting at her desk. “The ceiling caved in and windows blew in. We got up and ran.”

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The Story of Crass by George Berger

In the fall of 1999 I was a senior in a rural high school outside of Albany New York. My friend from high school, who had previously graduated the year before, was coming home. He was the other punk in town. I picked him up from the greyhound bus station. His large glue encrusted mohawk barely fit into the car. He put the tape in and that’s when I first heard Crass. The discordant muck was jarring enough for me to classify it as punk and the righteously indignant lyrics fit my understanding of what it meant to be political.

Ten plus years later I don’t listen to Crass much. I prefer the more melodic songs of Morrissey, Bronski Beat, She Wants Revenge, and a slew of others who attained more than a modicum of skill with their instruments. While my musical preferences have changed my interest in who and what Crass were has not. When I saw a copy of “The Story of Crass,” by George Berger at a recent Gilman show I picked up the book.

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The Theory Of Bloom

In a sense they foreshadowed what was to come, in their own sad and skeptical way, which led them one by one to the abyss.

-Roberto Bolaño

Tiqqun was a two volume journal published in France at the turn of the 21st century. The first volume appeared in 1999 and included a text entitled Théorie du Bloom. In 2000, the text was augmented by the authors and published by La Fabrique Editions. In the two volumes of Tiqqun, the idea of the Bloom appears throughout the interrelated texts. Its clearest articulation resides in the augmented, book-length version of The Theory Of Bloom.

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