a continuation of “Golem in the Catacombs” When living beings are separated from their own expressions, gestures, tools, and traditions, they are reduced to golem, mere bodies, and every influence that these things, once a part of their being and now expropriated by the category of “apparatus”, exercise over them is now read as a […]
Carnival and Cannibal, Ventriloquous Evil Baudrillard, Jean. London, New York, Calcutta: Seagull Books, 2010 92 Pages. More than others, Anarchists seem to suffer most under the Reign of Stupidity. Stupidity reigns, has always reigned and according to Jean Baudrillard, it is virtually a perk of holding office. Stupidity is what he says Power does to
“Voice 1: Howls for Sade, a film by Guy-Ernest Debord. Voice 2: Howls for Sade is dedicated to Gil J Wolman.” – opening of Debord’s Howls for Sade 1 (On a street corner, then running down the street) Old Alciphron: Sorry I’m late. I’m always late to these things! Young Alciphron: Don’t worry, older one. I’m
“There were always men who practiced this philosophy. For it seems to be in some ways a universal philosophy, and the most natural.” – Julian the Apostate 1 Some months ago, I discovered a series of books on ancient philosophies produced by the University of California Press, with lovely details of Baroque paintings reproduced on
I’m going to wager that you know someone who has read more science fiction and/or fantasy novels than I have. In fact, you might be that person. I don’t live in the world of sf/fantasy; however, I’ve been vacationing there off and on for the past several years. I know a little bit about it,
A Review of Postmodernism is Not What You Think Postmodernism Is Not What You Think by Charles Lemert, 1997. Malden, MA: Blackwell Publishers, 185 pages (first edition) This first edition of Postmodernism is not what you think was written over 13 years ago, just before the “event” that changed everything. A proud and bright icon
A polemical review of Hans Fallada’s Alone in Berlin
White has declared his intention of piling up as much pressure as possible on the Queen Bishop file and on the Queen Bishop Pawn. Black must meet that threat by bringing all his resources to bear on defense of th efile, or int=stitute a counter-attack vigorous enough to divert White’s forces from assault
Logical Chess: Move by Move Irving Chernev
“Resistance is the present state of an interpretation of the subject. It is the manner in which, at the same time, the subject interprets the point he’s got to. … It simply means that he [the patient] cannot move any faster.”
The Seminar. Book II. The Ego in Freud’s Theory and in the Technique of Psychoanalysis Lacan, Jacques.
A cartography of The Coming Insurrection, Tiqqun, and their Party
“I didn’t come to praise Caesar, but to bury him.”
The Emperor is missing some clothes
I want to critique The Coming Insurrection and some of the writings of Tiqqun not because I dislike these texts but on the contrary because I like them, because I find them interesting, and because they have become so popular. I focus on the weaknesses because I find their strengths to be self-evident and through this review I hope to encourage more people to read them, but in a critical way. The aura of fashion that has surrounded them encourages one to swallow these texts wholesale and uncritically, so that they become digested as a style rather than as an analysis.
In 1960 the Japanese author Yukio Mishima wrote the horribly beautiful story “Patriotism.” There is no possibility of ‘spoilers’ in this review, because it is announced on the first page that this is the story of the ritual suicide (‘seppuku’) of one lieutenant Shinji Takeyama (and we are also told, almost as an afterthought, of the accompanying suicide of his wife Reiko). The action of the story takes place in 1936. In a nutshell, the lieutenant has just been informed of a failed mutiny against the Emperor, to whom he is loyal, that was perpetrated by men to whom he is also loyal. He knows he will be called upon to suppress the mutiny and fight and kill his erstwhile comrades, an untenable situation. Fortunately, his culture provides him with a way to deal honorably with untenable situations—seppuku.
The entire story takes place in Takeyama’s home, and involves the preparations he and his wife make to end their lives; their rather intense relations leading up to the act, in which everything is done by the book, as it were, but there is still plenty of room for passion and steamy sex; and, of course, the grisly act itself, which is described unflinchingly, without romanticizing the mechanics of the thing or the necessary human frailty involved in carrying it out. The story has been quite aptly described by a friend of mine as “fascist pornography.” It is told without any irony or attempts to undermine the motives or honor of its characters; in fact, Mishima was to commit seppuku himself ten years after writing the story. The general feeling conveyed is a sort of grim exaltation in the face of fate.
a review of METAtropolis, edited by John Scalzi
Five award-winning science fiction writers got together, wrote a shared-world fiction anthology that explores explicitly anarchist solutions to the world’s problems, and then got the cast of Battlestar Galactica to read them as an audiobook. And the anarchists, by and large, took no notice.
METAtropolis–released as an audiobook in 2008 and finally reaching trade paperback printing only this year in 2010–is a fascinating piece of outsider anarchist fiction. The authors are not consciously political radicals, but they are clearly inspired by the possibilities of autonomy that have been opened up in the 21st century. I would guess that not a one of them has read Bakunin, Rolling Thunder, or anarchistnews.org; they’ve struck upon the idea of mutual aid economics and horizontal structuring largely in a vacuum. They’re completely unfettered by the assumptions that so many of us carry with us at all times.